Archive | April, 2012
Classical Revolution Conference No. 5

Classical Revolution Conference Quick Recap (Monday’s Bow April 30)

Daily Bow Logo The Classical Revolution Conference in Chicago is over. So what’s next?
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Daily Bow: “Violins of Hope” Survived the Holocaust

Daily Bow Logo Violin-maker Ammon Weinstein has restored more than 30 violins played in the Holocaust as a way of speaking out and honoring the victims. This month’s exhibitions of his “Violins of Hope” in Charlotte, North Carolina, marked the first time these violins have been seen in either North or South America.
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Daily Bow: Cincinnati Symphony Selects New Music Director

Daily Bow Logo The Cincinnati Symphony has a new music director. Read on to learn more!
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Daily Bow: The Spektral Quartet Goes to War

Daily Bow Logo The Chicago-based Spektral Quartet has announced an ambitious project to highlight the fallout of modern warfare.
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Daily Bow: Taneycomo Festival Tries to Break with Tradition

Daily Bow Logo Are orchestra festivals elitist and inaccessible? Read on to learn more about a group of students who are try to change that!
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Monday’s Bow (April 23)

Daily Bow Logo This week’s Monday Daily Bow features insights on classical music from someone running an orchestra, as well as stories on bridging different musical traditions
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The Revolution Comes to Chicago

This week Chicago will host the first International Classical Revolution Conference. Learn more about the movement and how it can impact classical music.
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Daily Bow: Best. Deal. Ever.

Daily Bow Logo The St. Paul Orchestra’s new membership program gives you unlimited concerts–that’s 100 next season alone–for a mere $5 a month.
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Daily Bow: Joachim Competition Ups the Ante

Daily Bow Logo Interested in entering the highest paying violin competition in the world? Read on to learn more!
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Daily Bow: “Music Comes First”

Daily Bow Logo Seoul Philharmonic music director Chung Myung-whun has invited musicians from North Korea to join his annual pan-Asian orchestral performance with the Asia Philharmonic Orchestra. His goals are more musical than political, reminding us that music is a means to its own end, not merely a political tool.
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