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Interview with Norman Carol, Part 1

Join us for an exclusive interview with acclaimed violinist and Ovation Press editor Norman Carol in which he discusses his experiences over a prolific professional career in music
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CMW West End Community Center Performance (Dec. 14, 2012)

CMW Holiday Laughter (CMW Fellows Series January 2013)

CMW West End Community Center Performance (Dec. 14, 2012) First-year CMW fellow Lauren Thoman Latessa shares her first winter holiday experiences with Community MusicWorks
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Best of Ovation Press 2012

Best of Ovation Press Scores 2012

Best of Ovation Press 2012 Ovation Press looks back at 2012 to see what the top scores of the year were for each instrument
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How the Workplace Treats You

How the Workplace Treats You (CMW Fellows Series December 2012)

How the Workplace Treats You In this monthly installment of our View from a CMW Fellowship, Annalisa Boerner takes a look at the question of “how your workplace treats you”
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Taking a Stand: Interview with Jeffrey Solow Part 3

In this third and final part of our interview series with Jeffrey Solow, Mr. Solow shares his experiences and insights in the area of music advocacy
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Daily Bow: Record Labels Get in on the Club Act

Daily Bow Logo The classical club phenomenon has gone from a rarity to standard practice, and now the institutions are adopting it as a supplement to traditional concerts.
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Daily Bow: Honoring Ravi Shankar

Daily Bow Logo Ovation Press honors the life of a man who served music in a spirit of devotion, and subsequently helped to shape the world through music
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Daily Bow: 2012 In Review (Or: Music Goes Rogue)

Daily Bow Logo It’s been a bumpy year for classical music, but the L.A. Times shines a light on the trend of nontraditional ensembles and how they’re making their way.
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Daily Bow: Parnassus Joins the Revolution

Daily Bow Logo The Parnassus Project joins the effort to bring classical chamber music to alternative venues and audiences
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Learning to Hear Classical: Monday’s Bow (December 17)

Daily Bow Logo If classical music is an acquired taste, it’s our responsibility as classical music advocates to help as many people “acquire” it!
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