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Classical MoCap Part 2: Systems and Applications of Motion Capture
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Classical MoCap Part 1: Intro to Motion Capture
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Exclusive Interview with Erwin Schoonderwaldt (Part 2)
![](http://stringvisions.ovationpress.com/wp-content/uploads/2014/05/immm_foto_schiffgraben_011-100x63.jpg)
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Helmholtz Resonance Signature Mode In The Violin
![](http://stringvisions.ovationpress.com/wp-content/uploads/2011/09/0707biss-100x64.png)
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Playing with a Parallel Bow
![](http://stringvisions.ovationpress.com/wp-content/uploads/2011/06/Parallel-Bridges-100x65.png)
![](http://stringvisions.ovationpress.com/wp-content/themes/twpw-canvas/functions/thumb.php?src=wp-content/uploads/2011/06/Parallel-Violins.jpg&w=210&h=150&zc=1&q=90)
To Play Parallel or Not: A Controversy of Technique, Part 2
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To Play Parallel or Not: A Controversy of Technique, Part 1
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To Play or Not to Play Parallel to the Bridge
To play parallel or not? Hans Jørgen Jensen is constantly pushing the boundaries of what we know about classical string music. His latest endeavor is taking on the fascinating, yet controversial, topic of whether or not the bow should be parallel to the bridge when playing. The first part of this is understanding this […]
![](http://stringvisions.ovationpress.com/wp-content/themes/twpw-canvas/functions/thumb.php?src=wp-content/uploads/2011/05/Helmholtz-Motion-Drawing.png&w=210&h=150&zc=1&q=90)
Learn to Play With Helmholtz Motion
![](http://stringvisions.ovationpress.com/wp-content/uploads/2011/05/Helmholtz-Motion-Drawing-100x55.png)
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What is “Good” Tone? Re-calibrating our Ears
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