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Interview with Stephen Geber, Part 2

Stephen Geber shares his thoughts on different aspects of playing in orchestral music as a career, including bowings and the interaction among different members of orchestras
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Practice Retreat (CMW Fellows Series February 2013)

CMW fellow Annalisa Boerner writes about the importance of the “Practice Retreat”
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Score Spotlight: February 2013

A recap of Ovation Press scores published in the month of February 2013: including the chorale Aus tiefer Not, Delius’ Elegy, and some African American spirituals
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The Great Violin Maker – Remembering Carl Becker

A tribute and look at the life of Carl F. Becker, the Chicago-based master luthier, who passed away at the end of January 2013
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Interview with Norman Carol, Part 2

In this second article concluding our exclusive interview with acclaimed violinist and Ovation Press editor Norman Carol, we learn more about becoming a professional musician and a concertmaster
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CMW West End Community Center Performance (Dec. 14, 2012)

CMW Holiday Laughter (CMW Fellows Series January 2013)

CMW West End Community Center Performance (Dec. 14, 2012) First-year CMW fellow Lauren Thoman Latessa shares her first winter holiday experiences with Community MusicWorks
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Best of Ovation Press 2012

Best of Ovation Press Scores 2012

Best of Ovation Press 2012 Ovation Press looks back at 2012 to see what the top scores of the year were for each instrument
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How the Workplace Treats You

How the Workplace Treats You (CMW Fellows Series December 2012)

How the Workplace Treats You In this monthly installment of our View from a CMW Fellowship, Annalisa Boerner takes a look at the question of “how your workplace treats you”
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Taking a Stand: Interview with Jeffrey Solow Part 3

In this third and final part of our interview series with Jeffrey Solow, Mr. Solow shares his experiences and insights in the area of music advocacy
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Jeffrey Solow Portrait

Reshaping Classical Ideas: Interview with Jeffrey Solow Part 2

Jeffrey Solow Portrait In the second of a three-part interview with Jeffrey Solow, Mr. Solow discusses some of the scores that he has arranged for us, sharing his professional experience as an editor
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